The period of conflict between British colonists and Tasmanian Aboriginal people in the early and mid-nineteenth century is known as the Black War. The group were no longer perceived as a threat to the colony and were often dressed up and paraded on official engagements. She performed all the Tasmanian songs she knew, some in Aboriginal languages, others in English. Her mother was Tanganutura of the Cape Portland people and her father was thought to be Nicermenic from Robbins Island.In 1847 the 47 Palawa people who had survived Wybalenna, including Fanny, Nicermenic and Tanganutura, were sent to Oyster Cove, an old convict station near Hobart. She was the daughter of Despite facing incredible adversity early in life, Fanny’s spirit prevailed. The These recordings hold particular significance to the Tasmanian Aboriginal community. Fanny Cochrane Smith recordings – songs of survivalHenry Hunter Galleries level 1: Tasmania. These songs are the only recorded example of Tasmanian Aboriginal songs and the only recorded example of any Tasmanian Aboriginal language. Four years later, in 1903, Horace Watson made further recordings of her at his home in Sandy Bay. Five cylinders were cut; however, when it was 1949, only four remained as "A fifth cylinder, on which was recorded the translation of the songs, was broken some time ago". The Royal Society in Hobart recorded these songs in 1899 and 1903.
The recordings provide a tangible connection to the voice and memory of Ancestors and represent the resilience and cultural continuity of the Tasmanian Aboriginal Community.The Fanny Cochrane Smith recordings where inducted into the National Film and Sound Archive’s ‘Sounds of Australia’ registry as one of the inaugural inductees in 2007. In recent years, the Tasmanian Aboriginal community has actively re-established ownership over their language through the development of palawa kani – a program that has revived and reconstructed the many different languages spoken by Tasmanian Aborigines. More information on Fanny Cochrane Smith can be found here, or here, including the recording itself. Fanny was celebrated for her lovely singing voice and, in 1899, a concert was held in her honour in Hobart where she entertained the crowd by singing the songs of her people. It is part of a series of recordings made between 1899 and 1903.The quality of the recording is rather scratchy, but it is still amazingly clear. Fanny Cochrane Smith sang into the bell of the gramophone to record these songs on wax cylinders.Her spoken introduction before the song begins with 'I’m Fanny Smith. With her husband William, an English sawyer and ex-convict, Fanny had 11 children (among them a distant relation of composer Peter Sculthorpe). These are some of the earliest recordings ever made in Australia, a sound recording of the traditional Tasmanian Aboriginal songs and language from this period. The wax cylinder recordings hold immense cultural and spiritual significance to the Tasmanian Aboriginal Community. Fanny successfully moved within two worlds. In 1899 the Royal Society of Tasmania recorded her both singing and speaking in language. Fanny Cochrane Smith with her husband William and two men, possibly her sons (ALMFA, SLT) Two children of Aboriginal women and sealers were able to escape their displacement to the Bass Strait islands and return to the mainland of Tasmania. For important COVID-safety and visitor information please see In this recording, Fanny Cochrane Smith talks about being the last of the Tasmanians. She was a proud Aboriginal woman who combined her traditional knowledge with European ways, teaching her family the skills of hunting, gathering bush foods, medicine, shell-necklace stringing and basket-making.

Upon hearing her own performance, Smith had cried "My poor race. Fanny died at Port Cygnet in 1905, aged 70. Fanny Cochrane Smith’s Tasmanian Aboriginal Songs synopsis. The photo is up in the Tasmanian Museum and Art Gallery in Hobart, along with the recording. In 1854, she married William Smith and took up a land grant at Nichols Rivulet, keeping close bonds with her people at Oyster Cove. Into this environment of conflict and hardship Fanny Cochrane was born at Wybalenna in 1834. They are now held by the Tasmanian Museum and Gallery with enhanced versions held by the National Film and Sound Archive.In recent years, these recordings have assisted the reconstruction of Tasmanian Aboriginal languages revived through the palawa kani program, allowing the Tasmanian Aboriginal community to actively reestablish ownership over their language.The National Film and Sound Archive of Australia acknowledges Australia's Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons Fanny was born at … Sung by Fanny Cochrane Smith, the songs were recorded by Horace Watson in 1899 and 1903 on wax cylinders.Prior to British colonisation in 1803, there were an estimated 2,000–8,000 Indigenous Tasmanians or Palawa people living in the southernmost region of Australia. I’m the last of the Tasmanians.’ This recording was made by Horace Watson at the Royal Society of Tasmania on 5 August 1899.In February 2017, the recordings were inscribed into the These are some of the earliest recordings ever made in Australia, a sound recording of the traditional Tasmanian Aboriginal songs and language from this period. Questions or comments concerning the contents of the site can be directed to the webmaster by email to The man is Horace Watson, my great-great-grandfather. Smith is known for her wax cylinder recordings of Aboriginal songs, made in 1903, which constitute the only audio recordings of an indigenous Tasmanian language. What have I done"; she believed the voice to be that of her mother. Sung by Fanny Cochrane Smith, the songs were recorded by Horace Watson in 1899 and 1903 on wax cylinders.
Curator's notes Life and Environment. MRS. FANNY COCHRANE SMITH By MUHRAY J. LONGMAN.


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